Kione Grandison (b. 1996, London) is a London-based artist working primarily in painting and mixed media collage. Her practice explores themes of identity, belonging, and diasporic memory, drawing inspiration from African and Caribbean hairstyling practices, as well as Jamaican sound system and street culture.

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Hair is a central subject within her practice. Used as a tool to examine how colonial legacies, and Eurocentric beauty standards have affected the way that black people view themselves and their hair. What began as a personal inquiry into her own relationship with her hair has evolved into a broader examination of hair as a site of empowerment, resistance, and cultural storytelling. 

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Time spent in Jamaica, her ancestral homeland, also continues to shape the work. Her multidisciplinary approach includes large-scale public works, flyer design, and wearable art through hand-painted clothing. Grandison has worked on commissions for various clients including:

A24 films   |    Channel 4   |   Netflix   |   Adidas    |   Nicholas Daley    |    Mixpak records   

 The Elder Statesman    |    Geejam Hotel, Jamaica    |   The National Film Board of Canada

As a graduate of Wimbledon College of Arts with a First-Class BA in Fine Art Painting, Grandison was a recipient of the 2017 Woon Foundation Art Prize.

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Alongside her visual art practice, she works as a freelance nail artist. Grandison sees nail art as an outlet which closely aligns with her art practise. Similarly to hair styling, nail art is a popular form of adornment within diasporic African and Caribbean communities.